Remember that hand sizes vary and as a result, you may need to switch a 2nd for a 3rd. The “major” modes. | Blues Scale (Variation 2) | Blues Scale There are some standard finger positions and most scales will have finger numbers printed above the notes, however these are not set in stone. Ionian Modes: the Ionian scale is just the major scale and a mode is just a scale rooted in a different part of the scale. Named after Ancient Greek tribes, they each have a different character or feel and are as follows: Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian. Augmented Scale | Inverted Diminished Scale | Ionian | Ionian b2 | Ionian b3 | Ionian b6 | Ionian b9 | Ionian b13 | Ionian b2 b6 | Ionian b6 b9 | Ionian b9 b13 | Ionian #5 | Ionian Augmented J Jazz Minor Scale | Jazz Minor #4 Scale | Jazz Minor #11 Scale | Jazz Minor Inverse K Kumoi Scale L Locrian | Locrian b4 | Locrian b11 | Locrian bb7 | Locrian #2 | Locrian #6 | Locrian Diminished 7 | Locrian Natural 2 | Locrian Natural 6 | Locrian Natural 9 | Locrian Natural 13 | Locrian Pentatonic Scale | Lydian | Lydian b2 | Lydian b3 | Lydian b7 | Lydian b9 | Lydian #2 | Lydian #5 | Lydian #9 | Lydian #2 #5 | Lydian #5 #9 | Lydian Augmented | Lydian Augmented #2 | Lydian Augmented #9 | Lydian Diminished | Lydian Dominant Notes, Intervals and relations to other scales in the database. We’ve already seen that there are natural minor, harmonic minor and melodic minor scales as well as Jazz scales and Pentatonic scales. All piano major scales are actually based off this one scale – we simply transpose the pattern of intervals to the different keys. This is where it all begins. | Altered Dominant Scale | Altered Dorian Home > Musical Modes > Major Scale Modes > Ionian Mode, A Acoustic Scale | Aeolian | Aeolian b5 | Aeolian #3 | Aeolian Major 3rd | Aeolian Major 7th | Aeolian Natural 7 Scales | Overtone Scale P Pentatonic Major | Pentatonic Minor | Pentatonic Mode I | Pentatonic Mode II | Pentatonic Mode III | Pentatonic Mode IV | Pentatonic Mode V | Pentatonic Modes | Pentatonic Neutral | Pentatonic Scales | Phrygian | Phrygian b4 | Phrygian b11 | Phrygian #3 | Phrygian #6 | Phrygian Dominant Scale | Phrygian Major | Phrygian Major 3rd | Phrygian Natural 6 | Phrygian Natural 13 | Phrygian Pentatonic Scale | At FeelYourSound, we created a MIDI plug-in that does exactly that. So you’ve mastered the B minor scale? Let’s check these out on the piano, using the C Major and Minor scales as our base. They are designed to help you increase your speed and agility whilst also tuning your ear to different sounds. Whole-Tone Scale | Dominant Diminished Scale | Dominant Whole-Tone Scale | Dorian | Dorian b2 | Dorian b5 | Dorian b9 | Dorian b2 b5 | Dorian b5 b9 | Dorian #4 | Dorian #11 | Dorian Pentatonic Scale | Double Harmonic Minor Scale | Double Harmonic Scale F Flamenco Scale | Freygish Scale G Guitar Scales | Gypsy Minor Scale H Half Diminished Scale | Half step - Whole step Scale | Half-Whole Diminished Scale | Half-Whole Scale This is the first, second, third, fifth and sixth. Pentatonic Scale | Major b6 Pentatonic Scale | Major Pentatonic Scale | Major Scale | Major Scale Modes | Man Gong | Melodic Minor (Descending) Scale | Melodic Minor b6 | Box 8366 | Sunnybank QLD | 4109 | Australia, Web: What is a piano scale? | Symmetric Scales | Symmetrical Augmented Modes occur on each note of our scale. The simplest is the first mode, called the Ionian mode, and that is the one we are going to … The notes are F G A Bb C D E F and in the right hand, the finger position is 12341234 – you’ll notice that the 5th is omitted as standard fingering 12312345 would see us have to rotate and place a 1 on the Bb. These major scales are listed below, with four examples shown on the treble clef. Other steps from this course. Whole Note Scale | Whole-Tone Scale, Mentions légales | Charte de confidentialité. There are specific piano scale finger patterns for each. In the right hand that is 12312345. The G major scale follows the same pattern as the C major – Tone Tone Semitone Tone Tone Tone Semitone but is now transposed to begin on G. This results in an F# on the 7th note.
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